It's not only our bodies that undergo a glut of inertia and unhealthy torpor during Christmas; our mental faculties can also face a kind of catatonic shutdown under the weight of endless repeats and festive specials on TV, Roy Wood, Noddy Holder and all the other anthems churned out on a mind-numbing loop, the logorrhoeic reiteration of banal cliches and marketing slogans thinly disguised as messages of Christian goodwill. Geoffrey Hill might now resemble a grouchy Santa Claus, but what was that old line of his about "wild Christmas": "What is that but the soul's winter sleep?" I also like this obstreperous chunk of early Christopher Middleton:
All I wanted was out:
To be free
From your festoons
Christmas cards." ('The Hero, On Culture')
I had fun, sure, and it was great to spend time with my son and wider family. But also good to get the brain back in gear with some challenging reading whose intellectual rigor seems to counteract the prevailing mood of self-indulgent sloth. Robert Sheppard on Middleton, for example, in The Wolf 31 is a superb delineation of this poet's unique and far-reaching approach towards poetic form, with particular reference to the essay 'Reflections on a Viking Prow'. Sheppard's enthusiasm and willingness to draw significant principles from Middleton's theories echoes my own post on the essay from last December, No Longer A Mere Blob.
Andrew Duncan's piece about his critical explorations of contemporary British poetry - 'Lost Time is not Found Again' - communicates an insistence parallel on the need for an impersonal poetic, a seeing beyond the glib appraisal of a period by merely looking at its few most acclaimed poets. Similarly, Jerome Rothenberg is a figure whose tenacious endeavour over many years has been (in seminal anthologies like Technicians of the Sacred) to bring to light poetic voices well outside the literary mainstream and its predilection for male, white, university-educated liberal-humanists: the interview with Rothenberg in this edition of The Wolf demonstrates how active and tireless this under-appreciated project remains.
The magazine also contains my review of Hill's Broken Hierarchies: Poems 1952-2012, by far the most difficult text of this kind I've had to write. As a point of comparison there's an excellent, illuminating review of the same book by Karl O'Hanlon in the new Blackbox Manifold, where you can also find interesting poems by Helen Tookey, Allen Fisher and Karthika Nair.
Also worth a prolonged look is the online journal Prac Crit edited by Sarah Howe - its title presumably a nod to IA Richards, not a bad figure to revaluate. I particularly enjoyed the interview with Tim Donnelly conducted by Dai George and Olli Hazzard's intricate, beguiling interpretation of 'Last Dream of Light Released from Sea-Ports' from The Cloud Corporation.