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Thursday 16 June 2022

Homage to Joyce, Dedalus and Kate Bush


 To celebrate the centennial of the publication of Ulysses, here are three very different responses to that astoundingly multifarious and kaleidoscopic masterpiece, whose lasting resonance has yielded generations of notable epigones, byworks and intertexts. Firstly, the modernist composer Luciano Berio (1925-2003) with his Thema: Omaggio a Joyce (1953), startlingly ahead of its time in taking a recitation of Chapter 11 of Ulysses by Berio's then-wife Cathy Berberian and - using tape-manipulation techniques - subjecting it to a "reorganization of the phonetic and semantic elements of Joyce’s text".

  Secondly, I've been reading Chris McCabe's novel Dedalus (2018), a beautifully presented edition created by Henningham Family Press. At first I thought the concept behind this project was too ambitious to work: a sequel to Ulysses? Which writer would think they could manage a continuation of the greatest novel ever written? But in truth I've been won over by McCabe's wildly imaginative take on the day after Bloomsday, very much his own revisioning of the interweaving stories and themes and characters of Ulysses born of an intimate knowledge and passionate enthusiasm for the novel. Years ago I did a Poetry School course lead by Chris on "Ulysses as Poetry" and as well as some chapters that stand as worthy imitations of Joyce's interior monologue prose-style, other chapters metamorphose into visual or sound poetry in a way which feels much in keeping with Joyce's ludic approach both in Ulysses and Finnegans Wake.

  Finally, the wonderful video for The Sensual World by Kate Bush, which memorably uses the words of Molly Bloom's soliloquy in 'Penelope'. As we know, KB is having a moment this month thanks to Netflix's Stranger Things, which I'm a big fan of particularly for the nostalgia-drenched soundtrack and a plethora of references to tropes from early 80's TV and movies. It's great to see a resurgence of interest in 'Running Up That Hill', which will hopefully send people back to the marvellous Hounds of Love album - and indeed The Sensual World in all its far-reaching, haunting beauty.




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